The awe-striking beauty of a cut diamond emanates from its inherent
physical and optical properties in combination with a cutter's ability
to maximize the display of these properties. It is the precision,
care and artistry, which the cutter brings to the stone that releases
the diamond's full potential. In purchasing a diamond one must consider
two elements of cutting, which are of prime importance - proportion
and finish (which is further sub-divided into two categories, polish
and symmetry).
Here we focus
on the modern round brilliant cut diamond because it is the most
popular shape sold and it produces the best light return, in the
form of brilliance, dispersion and scintillation, to the eye. (Please
read our article on the Fancy Shaped Diamonds
for more detailed information on oval, pear, marquise, radiant,
princess, heart and emerald cut diamonds.)
Brilliance
is the total light reflected to the eye from both surface and internal
reflections.
Dispersion
is the separation of white light into its spectral (rainbow) colors
and is caused by its refraction, which bends each wavelength of
light a little differently to cause separation into individual colors.
Scintillation
is the flashing or sparkling of light which occurs when either the
diamond or light source are moved.
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To easily understand what goes into evaluating the cut proportion
and finish of a standard round brilliant (SRB) diamond, let's first
take a look at a diagram showing each element of the finished product
(above). Down the left-hand side are listed the major structural
features of the diamond, and down the right-hand side the different
facet names.
There are a total of 58 facets, called the table (1) and culet
(1), bezel (8), star (8), upper girdle (16), lower girdle (16) and
pavilion (8) facets. Often there is no culet facet and the stone
is pointed on the bottom, leaving a total of 57 facets. Also, in
higher quality goods the girdle is frequently faceted, but these
facets are not counted in the total.
Finish, which includes polish and symmetry, is also an
important contributor to a diamond's beauty.
Polish features largely describe the condition of the surface
of the stone, and include abrasions of the facet junctions and the
culet, rough and bearded girdles, nicks and pits, and scratches
and polishing marks if they do not affect the clarity grade. You
will remember some these elements were also listed as blemishes
in the clarity-grading scheme. However, if the blemishes are not
serious enough to affect the clarity grade, they are included under
polish as part of the finish grade.
Symmetry characteristics include many features of poor
and/or careless workmanship such as an off-center table or culet,
a table not a regular octagon shape, an out-of-round or wavy girdle,
non-parallel girdle and table, facets which don't meet or point
properly or are misaligned between the crown and pavilion, and naturals
and extra facets which are not graded under clarity.
Proportion - The full realization of the potential of a
diamond's brilliance, dispersion and scintillation and getting the
proper balance between these three elements is achieved mainly through
proper cut proportions. The important proportions are:
1. Table
size
2. Crown height and angle (angle of the bezel facets with the
girdle)
3. Pavilion depth and angle (angle of the pavilion facets with
the girdle)
4. Girdle thickness
5. Culet size |
As shown in the diagram below, if a round brilliant diamond is
cut too deep (nailhead) or too shallow (fisheye) light leaks out
of the pavilion and does not return to the observer's eye. In diamonds
with too steep a crown angle (>38deg.), exiting light is directed
out to the side where it isn't visible, or it can be reflected back
into the stone. In diamonds with large tables, if the crown angle
is too shallow (<30deg.) there is little visible dispersion of light.
Make - This is a trade term used to describe how closely
the proportions of a brilliant cut diamond are to an "ideal". For
stones approaching these proportions a diamond is said to be of
good or fine make, and for those with problems of proportion are
referred to as being of fair or poor make. While there are different
sets of criteria (Yes, the definition of Ideal can vary.) for what
constitutes an Ideal cut in a round brilliant diamond, there are
presently none for the other fancy shaped cuts (oval, marquise,
emerald, radiant, princess, heart, pear). (See
www.gemappraisers.com for the best classification of cut proportions
in fancy shapes currently available.)
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An Ideal Cut (See the diagram below) round brilliant diamond
is one which is cut to a specific range of proportions (Ideal proportions)
and also has an Ideal (0) grade for both polish and symmetry. This
has been defined by the American Gem Society Labs. as the top, or
zero grade, in their grading system. Diamonds attaining this grade
are sometimes referred to as AGS000 (AGS triple zero's). The proper
grade, however, is simply AGS0 (AGS zero). This cut grade has also
come to be called the "American Ideal Cut" based on its acceptance
in this country.
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Unfortunately, the Gemological Institute of America (GIA) does not
provide a cut grade in its grading report. They provide only the
table % and total depth % for the stone. Therefore, it is not possible
to determine the individual contributions of the crown, girdle and
pavilion to the total depth and no crown or pavilion angles are
given. In order to determine if a GIA-graded diamond meets the AGS
Ideal (0) grade for proportion, it is necessary to measure the stone
for all the missing data. Fortunately, this can be done quite quickly
and easily using an automated proportion analyzer called a "SARIN"
(after the Co. which produces it) whose software can be programmed
to AGS specifications. Thus, since GIA grades of Excellent for polish
and symmetry are considered equivalent to the AGS Ideal grades,
a GIA-graded diamond can, with a Sarin analysis give as much information
as an AGS grading report. This information is important in making
an informed buying decision.
Effect of cut quality on price: Cut quality commands a
premium for two reasons. First, you are paying for a highly skilled
diamond cutter's time, and it can take many hours to get all the
proportions and angles to fall within the Ideal or SuperIdeal ranges.
Second, more of the diamond is lost in the cutting process, because
the goal is not to cut the heaviest diamond, but the best performing
diamond.
Quantifying the premium paid for an ideal cut diamond is difficult
and varies greatly depending upon the source, e.g., Tiffany, Lazare
Kaplan, AGS0's, branded and non-branded Hearts & Arrows. For internet-based
dealers, whether or not they also have a bricks and mortar operation,
the premium is very roughly around 10-15% over a poorly cut stone.
A final point about GIA and AGS grading reports. Diamonds graded
by these labs. carry about an 8% premium over those graded by other
labs. such as EGL, IGI, HRD, etc. The reason is due to their strict
grading guidelines, which are respected and accepted worldwide.
You can rest assured that if your diamond is graded by either GIA
or AGS that the color, clarity, polish and symmetry are what the
report says, so you know what you are paying for. The premium is
well worth it, and is why we sell diamonds graded by no one else!
All of the diamonds sold by Dutton's Diamonds are graded by
AGS or GIA, and in the latter case most have accompanying Sarin
analyses. Furthermore, we specialize in round brilliant diamonds
cut to the AGS Ideal standards OR to even higher standards which
we call SuperIdeal standards!
Many of our round diamonds are Ideal cut grades such as AGS0 or GIA Ex/Ex both branded and unbranded. Many of these diamonds demonstrate superior brilliance, dispersion and scintillation, and also exhibit the Hearts and Arrows pattern.
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